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The book begins with her being given an appointment with a psychiatrist in 2016 after she has developed a disturbing condition wherein she impersonates the voices of, and embodies the personalities of, the women in her life both alive and dead.
It is a book that brings to light the everyday misogyny, sexism, ignorance, aggression, bias, and abuse (both active and passive) that women in South Korea (and, of course, the world over) suffer and do their best to survive in this modern world.
Tower is a truly unique and boundary-pushing piece of Korean science fiction. When we look at Korean novels in translation, too few of them are genre fiction. But that is slowly changing, and Tower is a Korean book you need to pick up and read.
The narrative here is split in two, with the books odd-numbered chapters recalling the life and memories of Park Minwoo, a rags-to-riches architect approaching old age, and the even chapters following the story of Jung Woohee, a twenty-eight-year-old woman who is barely making ends meet by working part-time to fund her passion for writing and directing theatre.
Responsible for saving countless lives at sea, today the tower offers safety for mariners in the Atlantic Ocean, serves as a natural ecosystem for marine wildlife, and provides a location for numerous research and educational institutions to conduct environmental and oceanic studies.
The wager was to \"study the possibility of erecting an iron tower on the Champ-de-Mars with a square base, 125 metres across and 300 metres tall\". Selected from among 107 projects, it was that of Gustave Eiffel, an entrepreneur, Maurice Koechlin and Emile Nouguier, both engineers, and Stephen Sauvestre, an architect, that was accepted.
Emile Nouguier and Maurice Koechlin, the two chief engineers in Eiffel's company, had the idea for a very tall tower in June 1884. It was to be designed like a large pylon with four columns of lattice work girders, separated at the base and coming together at the top, and joined to each other by more metal girders at regular intervals.
The tower project was a bold extension of this principle up to a height of 300 metres - equivalent to the symbolic figure of 1000 feet. On September 18 1884 Eiffel registered a patent \"for a new configuration allowing the construction of metal supports and pylons capable of exceeding a height of 300 metres\".
The curvature of the uprights is mathematically determined to offer the most efficient wind resistance possible. As Eiffel himself explains: \"All the cutting force of the wind passes into the interior of the leading edge uprights. Lines drawn tangential to each upright with the point of each tangent at the same height, will always intersect at a second point, which is exactly the point through which passes the flow resultant from the action of the wind on that part of the tower support situated above the two points in question. Before coming together at the high pinnacle, the uprights appear to burst out of the ground, and in a way to be shaped by the action of the wind\".
All the metal pieces of the tower are held together by rivets, a well-refined method of construction at the time the Tower was constructed. First the pieces were assembled in the factory using bolts, later to be replaced one by one with thermally assembled rivets, which contracted during cooling thus ensuring a very tight fit. A team of four men was needed for each rivet assembled: one to heat it up, another to hold it in place, a third to shape the head and a fourth to beat it with a sledgehammer. Only a third of the 2,500,000 rivets used in the construction of the Tower were inserted directly on site.
Is the City of Paris any longer to associate itself with the baroque and mercantile fancies of a builder of machines, thereby making itself irreparably ugly and bringing dishonour (...). To comprehend what we are arguing one only needs to imagine for a moment a tower of ridiculous vertiginous height dominating Paris,just like a gigantic black factory chimney, its barbarous mass overwhelming and humiliating all our monuments and belittling our works of architecture, which will just disappear before this stupefying folly. 153554b96e
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