Personal Monster Essay
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This is an as-told-to essay based on a conversation with Rita Isbell, the sister of Errol Lindsey, one of Jeffrey Dahmer's victims. Isbell's emotional victim impact statement, delivered in court at the 1992 sentencing, was recreated in Netflix's new show, "Monster: The Jeffrey Dahmer Story." The essay has been edited for length and clarity.
This article gives an in-depth introduction to which literary devices are the most effective in college admissions essays. You can also check out our college essay examples for further inspiration. Table of contentsEssay structure devicesStorytelling devicesImagery devicesTone devicesSentence-level devicesFrequently asked questions about college application essays
Unlike a linear chronological narrative, flashbacks can be used to transport your reader from the present moment to a key past event to give a clearer understanding of your current personality, values, and goals.
Dialogue is a conversation between two or more people. Using dialogue in your essay can sometimes create suspense, transport readers into a scene, or highlight an important message. However, it should be used sparingly and strategically to avoid an anti-climatic or redundant moment.
Of the multitude of autobiographies that are written, one or two alone are what they pretend to be. Confronted with the terrible spectre of themselves, the bravest are inclined to run away or shade their eyes. And thus, instead of the honest truth which we should all respect, we are given timid side-glances in the shape of essays, which, for the most part, fail in the cardinal virtue of sincerity.
This essay is part personal exploration, part scholarly study, as I use my own material and experience to seek out the answers to questions that began from personal encounters with monsters in museums.
Have you tried earmuffs while working? I personally use these: =sr_1_16?keywords=3+m%E3%82%B9%E3%83%AA%E3%83%BC%E3%82%A8%E3%83%A0&qid=1584347744&sr=8-16. If I put in my earbuds under it with just a little sound (I like brain.fm) then it blocks out everything around me and makes it easy to focus. Also works as a signal to brain to start focus time.
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Questions such as who am I? Whom do I want to be when I grow up? These are facets of the question of what is personal identity. It is evident all these issues have the concept of persistence embedded in their cores (Trout). Persistence means our existence over time and how we can be able to prove it. Since we earlier mentioned that, the question of personal identity is a diachronic problem in metaphysics philosophers such as Rene Descartes and Plato suggested that our existence is embedded in the fact that we possess a soul. The soul is that which is left even after we die; we no longer exist. Descartes was more concerned in explaining this enduring self through the use of scientific and rational arguments. He promoted the view that the mind and body were different and distinct. This is what is encompassed in what we currently refer to as mind-body dualism.
Using terminology from linguistics he first distinguishes between two activities: telic and atelic activities. Telic activities are aimed at a particular terminal state. Reaching the end of a telic action brings satisfaction. On the other hand, atelic actions do not have final states. There is not a point where you will reach and say you have had enough of them. For instance, you will never have enough of spending time with your loved ones or family. However, activities such as reading for exams have a terminal state (Setiya). Once you do the exam and pass well, you have achieved satiety of the event and you are done with it. You can only repeat the activity. Aristotle noted that not all actions are telic or atelic.It is a blend of the two. This is particularly important in the concept of personal identity. We earlier said that the environment in which we are in and the activities we engage in primarily influence our personal identities.
The monster comes from the Latin word monstrare, which means to show, and monere, which means to warn. It is a combination of the two words. In the article why we invented Monsters by Paul a Trout, the concept of personal identity is indirectly explained by referring to monsters. Paul acknowledges the existence of unicorns by looking at various mythical stories regarding monsters (Trout). Similar to all mythological stories, a beast is thought as a superhuman being that is capable of feeding on humans and then later excreting the human as feces. The concept of monsters is shown to have existed in humans for a long time. It was seen to cause fear on the part of humans. Humans or individual members of the genus homo observed these monsters for a long time. They studied them. Through studying their behaviors, they were able to come up with mechanisms and ways to which they could be able to kill the monsters. As a result, in fact, Paul concludes by acknowledging that humans are the real monsters currently.
The monster narrative tries to explain personal identity by showing how it can be developed due to fear. Humans, in particular, come up with mechanisms about themselves through which they can get rid of the cause of anxiety. The ability to study the behavior of monsters and use crude tools can be classified as a personal identity of these humans. They come up with means, which will ensure their survival (Setiya). The survival themes demonstrate how personal identity continually evolves over the entire course of life.
In conclusion, we have seen how the two authors in their works try to explain the concept of personal identity. Although different in their approaches both of them try to show us how personal identity develops and philosophy behind it.
After you have identified your fear, you need to face it head on. You will find that the fear inside your head is like a monster. It keeps growing until you actually confront it. Once faced, the monster begins to shrink until it goes away completely. Fear is the ultimate weakness, but by taking small steps towards facing that fear, you too can learn to overcome it. No matter what your personal weaknesses are, there is a way to change the behavior pattern or turn a personality flaw into a strength. You have to be willing to admit to yourself that you are not infallible, not perfect, and have faults. Write them down. Think about some of the unflattering things people who you care for have said about you. As long as you have the strength to identify and deal with your personal weakness, you can only continue to grow and evolve as a happy person in the world.
Blue blanket in one hand, cookie monster in the other, I stumbled down the steps to fill my sippy cup with coffee. My diplomatic self gulped down his caffeine while admiring his Harry Potter wands. My father and I watched the sunrise through the trees and windows. I cherished this small moment before my father left, disappearing in and out of my life at the wave of a wand, harassing my seemingly broken, but nevertheless, stronger, family.
Dismissively, I rejected my father's nagging proposal that I apply for a summer job at a local long-term care center, arguing that I'd lose my patience much too quickly in attempting to interact with elderly residents. However, with my father being, well, my father, I reluctantly filled out a job application, reluctantly attended an interview, and, 5 days later, reluctantly commuted to an orientation for my position as a 'resident partner'. Although I initially viewed the job as a prison sentence which I had been condemned to serve for 8 hours per day, the care center would eventually come to serve as a clarion call, challenging each and every preconceived notion I held in regards to a globally misunderstood population, and by extension facilitate the development of a more socially conscious personal character.
Common App Prompt #7: Share an essay on any topic of your choice. It can be one you've already written, one that responds to a different prompt, or one of your own design. (250-650 words)
Unlike McLane, I believe the monster learns how to be human. I suggest that this is a product of studying the humanities. Science and technology may represent progress, but the humanities teach one how to feel, how to cope, how to experience life, and also how to nurture a sympathetic imagination.
The following are actual responses to some of our recent submissions to the Online Writing Lab, although the names have been changed to maintain the anonymity of student writers. You can expect similarly global-oriented comments and suggestions for developing your own work. Of course, length and type of feedback vary between individual tutors and between essay submissions.
Dear Rachel:I think you touch on some really nice ideas in this paper, which I'll talk about in a minute, but first I want to address one general concern I had about your writing. You have a tendency to spend too much time summarizing the plot--this is time when you could be advancing your argument. You don't need to tell your reader what happens in the story; you can assume that he or she already knows. For example, look at this paragraph:[...]Everything that I've noted with square brackets is plot summary. The sentence that begins "Feeling rejected, the creature wanders away..." is borderline because you're making a judgment about the creature's motivations, but in general you shouldn't spend time repeating the events of the story. The second part of this paragraph is much better in that you're talking about motivations and making arguments.I think you've got some really interesting ideas in this paper, particularly in your fifth and sixth paragraphs, but you need to expand upon them. For example, you might spend more time talking about Millhauser's rationale--WHY does he think the monster should have been presented as a brutal beast throughout? What would be lost in such a presentation? Why is it better that Shelley shows the monster in terms of growth and progression? You introduce this idea in your introduction, arguing that Shelley is deliberately playing with the reader's sympathies, for the monster and for Frankenstein. Could you say more about HOW she does this? What is the effect of the reader's divided sympathies? Where does the sympathy lie at the end of the book? Why might Shelley be interested in this? In general, what is the value of making the creature sympathetic?I hope you found some of the questions I've raised valuable. You've touched on some interesting issues in this paper, and there is definitely plenty of room for you to develop them even further. If you have any questions about anything I've said, or any further questions, please feel free to write back to me. Good luck with your paper and thank you for submitting to the OWL! 2b1af7f3a8
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Hi everyone! I just wanted to share some tips on how to write a book title in an essay. When mentioning a book title within your essay, it's important to follow proper formatting rules. In MLA style, italicize the title of the book. However, in APA style, only capitalize the first letter of the title and any subtitles, leaving the rest in lowercase. Always make sure to include the book title in either quotation marks or italics, depending on the citation style you are using. Hope this helps!