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On October 23, 2012, after Good Kid, M.A.A.D City received much critical acclaim from the hip hop community, rapper Shyne took to Twitter to disparage the album, calling it \"trash\" and the production horrible.[105] West Coast rappers Nipsey Hussle, Schoolboy Q and The Game quickly took offense to this, with The Game defending Lamar due to his \"non-confrontational nature\".[106][107][108] Lamar would later respond to Shyne's comments on October 26, saying that he is not a sensitive person and was unfazed by his comments. In addition he said Good Kid, M.A.A.D City was not necessarily a \"classic\" as some have called it, but \"classic worthy\" if enough time would pass.[109] He would later reference Shyne on the song \"The Jig Is Up\", stating: \"I pray to God this beat good enough for Shyne\".[110] After Shyne stood by his comments, The Game responded with a freestyle calling out Shyne, entitled \"Cough Up a Lung\".[111][112] Shyne would later respond with his own diss track in retaliation, titled \"Psalms 68 (Guns & Moses)\".[113]
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Following the tradition governing such movies, the story eventually comes to a moral decision at which a bad boy has to decide whether to become a good man -- and that's too bad, because until the movie turns predictable, it is very, very good. The acting, the direction and the sense of place in \"Bad Boys\" is so strong that the movie deserves more than an obligatory right scene for its conclusion.
And it's at precisely that moment, when the two kids are being set up for an eventual showdown, that \"Bad Boys\" begins to unwind. The first hour of this movie is so good it's scary; Penn and Morales and the supporting actors are completely convincing, and \"Bad Boys\" is the first movie I've seen in which the street gangs are not glamorized (\"West Side Story\"), stylized (\"The Warriors\") or romanticized (\"The Wanderers\"). We believe, watching \"Bad Boys,\" that we are observing an approximation of the real thing.
These performances are good. That's why it's such a disappointment when the movie allows itself to become just another prison picture. Although the second half of the movie continues its close, convincing observations of everyday life in the youth prison, the story structure begins to feel programmed: We know we're heading for a big fight, we think we know who'll win -- and what is this, anyway They've already made \"Rocky\" three times.
\"Bad Boys\" misses its chance at greatness, but it's saying something that this movie had a chance. I have a notion it will stand as one of those bench-mark movies that we'll look back at for the talent it introduced. On the basis of their work here, Penn, Morales and Rosenthal have important careers ahead of them, and some of the supporting actors may have, too. This movie's not a complete success, but it's a damned good try.
Reviewed by: A Bad Boy Can Be Good for a Girl Karen Coats Stone, Tanya Lee A Bad Boy Can Be Good for a Girl. Lamb, 2006228p Library ed. ISBN 0-385-90946-2$16.99 Trade ed. ISBN 0-385-74702-0$14.95 Ad Gr. 9-12 A studly senior, initials T. L., prowls his way mercilessly through the halls of a high school, scoping out girls vulnerable to his predatory charm, only to dump them once the relationship is sexually consummated or it becomes obvious that it won't be. His story is told through the affecting free verse of three of his conquests, Josie, Nicolette, and Aviva, each of whom initially insists that she is confident in her own attractiveness and resistant to the games of players like T. L. His first glance, however, turns them into puddles of goo, and they each willfully mistake his attention as an affirmation of their specialness in his universe, ignoring the overheard jibes of his friends and fully believing his made-for-teen-movie lines. Josie, the youngest of the three, is the most self-aware both during and after her seduction, and she decides to \"out\" T. L. by turning the blank pages at the back of the library copy of Forever into a bulletin board for the burned, directing both Nicolette and Aviva there when it becomes obvious that they have joined that not-very-select club. This is an appealing topic, and Stone creates credible voices for her girls. The message of strength is undercut, though, by tired clichés and stereotypes, especially as the girls, at first so assertive about their empowered sexuality, wilt into needy and deceived victims, and the boys are given no credit for any emotional depth or complexity. Moreover, there is the clear message that this kind of pain is necessary for female emotional growth and that being savvy enough to avoid it is somehow a mark of immaturity, as these girls pity their friends who haven't yet crushed and been crushed. This will nonetheless speak to a large audience of girls willing to martyr themselves on the altar of heartless high-school demigods; recommend it to girls who take grrl rockers' \"pain is power\" lyrics as their late-night anthems.
Developer Turbine is keeping the pace up when it comes to new content: the next free patch, Book 14, will arrive \"this summer\", according to company president Jim Crowley. The first full expansion, Mines of Moria, will come hot on its heels in the autumn. 153554b96e
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